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Marginalised music : music, religion and politics from Western Odisha, India
Introduction. Music as culture, medium and religion -- The region. The Bora Sambar region ; Oral history ; The sacred landscape of the Bora Sambar region and the memory of resistance -- Religion, rituals, music. A boil ritual in Sargival Village ; Thea-phony : music and the goddess ; The village orc...
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| Main Author: | |
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| Document Type: | Thesis Book |
| Language: | English |
| Published: |
Münster [u.a.]
: Lit-Verl.
, 2012
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| Series: | KlangKulturStudien
8 |
| Subjects: | |
| Author Notes: | Lidia Guzy |
| Summary: | Introduction. Music as culture, medium and religion -- The region. The Bora Sambar region ; Oral history ; The sacred landscape of the Bora Sambar region and the memory of resistance -- Religion, rituals, music. A boil ritual in Sargival Village ; Thea-phony : music and the goddess ; The village orchestra : Ganda Baja -- Dance and ritual as idioms of affinity and alliance. Dalkhai dance ; Tin sali yatra : a ritual of divine marriage ; Binjhal Biha -- Music, movement, death and ailment. The "guilt and expiation priest-musicians" ; The concept of sur : sound and liberation ; Itinerary non-Brahmin priest-musicians -- Music and the market. Baja bazaar : sacred music for sale ; The market of gods -- Music as religious instruction and cultural transfer. Sanchar ; Krishna guru parties ; Pala -- Possession and performance in western Odisha. Nag bacca : the snake children and their rituals ; Sobri Sobren lila ; Dand nacho -- From ritual to political music. Sambalpuri folklore ; Music, politics and ethnicity ; Music, modernisation and dalit power |
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| Item Description: | Literaturverz. S. 223 - 240 |
| Physical Description: | 258 S. Ill., Kt. |
| ISBN: | 9783643902726 |