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The Senecan aesthetic : a performance history
Alongside the works of the better-known classical Greek dramatists, the tragedies of Lucius Annaeus Seneca have exerted a profound influence over the dramaturgical development of European theatre. 'The Senecan Aesthetic' surveys the multifarious ways in which Senecan tragedy has been stage...
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| VerfasserIn: | |
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| Dokumenttyp: | Online-Ressource Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
: Oxford University Press
, 2016
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| Schriftenreihe: | Classical presences
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| Schlagwörter: | |
| Online Zugang: | http://proxy.fid-lizenzen.de/han/oup-ebooks-altertum/dx.doi.org/10.1093/acprof:oso/9780198736769.001.0001 |
| Verantwortlich: | Helen Slaney |
| E-Book-Pakete: | Oxford Scholarship Online: Classical Studies Collection |
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| 245 | 1 | 4 | |a The Senecan aesthetic |b a performance history |c Helen Slaney |
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| 520 | |a Alongside the works of the better-known classical Greek dramatists, the tragedies of Lucius Annaeus Seneca have exerted a profound influence over the dramaturgical development of European theatre. 'The Senecan Aesthetic' surveys the multifarious ways in which Senecan tragedy has been staged, from the Renaissance up to the present day: plundered for neo-Latin declamation and seeping into the blood-soaked revenge tragedies of Shakespeare's contemporaries, seasoned with French neoclassical rigour, and inflated by Restoration flamboyance. In the mid-18th century, the pincer movement of naturalism and philhellenism began to squeeze Seneca off the stage until August Wilhelm Schlegel's shrill denunciation silenced what he called its 'frigid bombast' | ||
| 600 | 1 | 0 | |a Seneca, Lucius Annaeus |d approximately 4 B.C.-65 A.D |x Criticism and interpretation |
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