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Athenian potters and painters

Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops - Paseas, the Robinson Group, and the structure of the figured pottery...

Ausführliche Beschreibung

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Bibliographische Detailangaben
Körperschaft: International Conference "Athenian Potters and Painters" Williamsburg, Va.) (VerfasserIn)
Mitwirkende: Oakley, John Howard (HerausgeberIn)
Dokumenttyp: Tagungsbericht Online-Ressource Buch
Sprache:English
Veröffentlicht: Oxford ; Havertown, PA : Oxbow Books , 2014
Schlagwörter:
Online Zugang:http://proxy.fid-lizenzen.de/han/jstor-ebooks-altertum/www.jstor.org/stable/10.2307/j.ctvh1djzf
Bibliogr. Hinweis:Erscheint auch als: Athenian potters and painters, Volume III
E-Book-Pakete:JSTOR E-Books in Classical Studies
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300 |a 1 Online-Ressource (viii, 272 pages, 32 pages of plates)  |b illustrations (some color) 
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500 |a "This volume contains the papers presented at the international conference Athenian Potters and Painters III held at the College of William and Mary in Williamsburg, Virginia, September 11-14, 2012"--Page vii 
500 |a Includes bibliographical references 
505 8 |a Fallen vessels and risen spirits: -- conveying the presence of the dead on white-ground lekythoi / Nathan T. Arrington -- Under the Tuscan soil: -- reuniting Attic vases with an Etruscan tomb / Sheramy D. Bundrick -- Regional variation: -- Pelops and Chrysippos in Apulia / T.H. Carpenter -- Baskets, nets and cages: -- indicia of spatial illusionism in Athenian vase-painting / Beth Cohen -- Red-figured cups in the Kerameikos / Heide Frielinghaus -- Smikros and Epilykos: -- two comic inventions in Athenian vase-painting / Guy Hedreen -- Facing west: -- Athenian influence on isolated heads in Italian red-figure vase-painting / Keely Elizabeth Heuer -- The Gigantomachy in Attic and Apulian vase-painting: -- a new look at similarities, differences and origins / Frank Hildebrandt -- Plates by Pasteas / Mario Iozzo -- Some Greek vases in the Museum of Mediterranean Archaeology at Nir David (Gan Hashlosha) Israel / Sonia Klinger -- Trade of Athenian figured pottery and the effects of connectivity / Kathleen Lynch and Stephen Matter -- Beautiful men on vases for the dead / Thomas Mannack -- The view from behind the kline: -- symposial space and beyond / Timothy McNiven -- Chariots in black-figure Attic vase-painting: -- antecedents and ramifications / Joan R. Mertens -- "Whom are you calling a barbarian?" -- A column krater by the Suessula Painter / J. Michael Padgett -- Good dog, bad dog: -- a cup by the Triptolemos Painter and aspects of canine behavior on Athenian vases / Seth D. Pevnick -- A scorpion and a smile: -- two vases in the Kemper Museum of Art in St. Louis / Susan I. Rotroff -- Demographics and productivity in the ancient Athenian pottery industry / Philip Saperstein -- An Amazonomachy attributed to the Syleus Painter / David Saunders -- Democratic vessels? -- The changing shape of Athenian vases in Late Archaic and Early Classical times / Stefan Schmidt -- A kantharos in the Museum of Fine Arts, Boston and the reception of Athenian red-figure in Boeotia / Phoebe Segal -- Oikos and hetairoi: -- Black-figure departure scenes reconsidered / Martina Seifert -- The Robinson group of Panathenaic amphorae / H.A. Shapiro -- Guess who's coming to dinner? -- Red-figure komasts and the performance culture of Athens / Tyler Jo Smith -- Menelaos and Helen in Attic vase painting / Mark D. Stansbury-O'Donnell -- Attic black-figure and red-figure fragments from the Sanctuary of Apollo at Mandra on Despotiko / Robert F. Sutton and Yannos Kourayos -- The Attic phiale in context: -- the late archaic red-figure and coral-red workshops / Athena Tsingarida. 
506 |a Access restricted to Ryerson students, faculty and staff 
520 |a Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops - Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms - plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters' names to create a fictitious biography, and the reconstruction of the contents of an Et 
546 |a English 
650 0 |a Potters  |z Greece  |z Athens  |v Congresses 
650 0 |a Pottery, Ancient  |v Congresses 
650 0 |a Painters  |z Greece  |z Athens  |v Congresses 
650 0 |a Vase-painting, Greek  |z Greece  |z Athens  |v Congresses 
650 0 |a Vases, Greek  |v Congresses 
650 4 |a Céramistes - Grèce - Athènes - Congrès 
650 4 |a Peintres - Grèce - Athènes - Congrès 
650 4 |a Peinture de vases grecque - Grèce - Athènes - Congrès 
650 4 |a Vases grecs - Congrès 
650 4 |a ART - Ceramics 
650 4 |a CRAFTS & HOBBIES - Pottery & Ceramics 
650 4 |a HISTORY - Ancient - Greece 
650 4 |a Painters 
650 4 |a Potters 
650 4 |a Pottery, Ancient 
650 4 |a Vase-painting, Greek 
650 4 |a Vases, Greek 
650 4 |a Conference papers and proceedings 
651 4 |a Greece - Athens 
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