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Re-presenting the past
The archaeological past exists for us through intermediaries. Some are written works, descriptions, narratives and field notes, while others are visual: the drawings, paintings, photographs, powerpoints or computer visualizations that allow us to re-present past forms of human existence. This volume...
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Main Authors: | |
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Document Type: | Online Resource Book |
Language: | English |
Published: |
Oxford, UK ; Oakville, CT
: Oxbow Books
, [2013]
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Series: | Joukowsky Institute publication
2 |
Online Access: | http://proxy.fid-lizenzen.de/han/jstor-ebooks-altertum/www.jstor.org/stable/10.2307/j.ctvh1dr6h |
Related Items: | Erscheint auch als:
Re-presenting the past |
E-Book Packages: | JSTOR E-Books in Classical Studies |
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505 | 8 | |a Re-presenting archaeology / Sheila Bonde and Stephen Houston -- Imaging British history : patriotism, professional arts practice, and the quest for precision / Sam Smiles -- Re-presenting the monastery : from Ordo to Google Earth / Sheila Bonde and Clark Maines -- Ping-pong, polygons, virgins : graphic representations of the ancient Maya / Stephen Houston -- Visual time machines : nineteenth-century photographs and museum re-presentations in Maya archaeology / Barbara W. Fash -- Of imaging and imagining : landscape reconstruction at Piedras Negras / Cassandra L. Mesick -- A political economy of visual media in archaeology / Michael Shanks and Timothy Webmoor -- Representing the medieval festivals of Jaén through text, enactment and image / Thomas Devaney -- The world on a flat surface : maps from the archaeology of Greece and beyond / Christopher L. Witmore -- To be or not to be in past spaces : thoughts on Roman immersive reconstructions / Diane Favro. | |
520 | |a The archaeological past exists for us through intermediaries. Some are written works, descriptions, narratives and field notes, while others are visual: the drawings, paintings, photographs, powerpoints or computer visualizations that allow us to re-present past forms of human existence. This volume brings together nine papers, six of which were presented at a symposium hosted at Brown University. Two papers explore the classical past and medieval visualizations. Three treat the Maya, and one considers the imaging by eighteenth-century antiquarians of British history; yet another ranges broadly in its historical considerations. Several consider the trajectory over time of visualization and self-imaging. Others engage with issues of recording by looking, for example, at the ways in which nineteenth-century excavation photographs can aid in the reconstruction of an inscription or by evaluating the process of mapping a site with ArcGIS and computer animation software. All essays raise key questions about the function of re-presentations of the past in current archaeological practice | ||
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