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Classical myths in Italian Renaissance painting

"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for grante...

詳細記述

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書誌詳細
第一著者: Freedman, Luba (著者)
フォーマット: 図書
言語:English
出版事項: Cambridge [u.a.] : Cambridge University Press , 2011
版:1. publ.
主題:
オンライン・アクセス:Inhaltsverzeichnis
Autorenbiografie
Verlagsangaben
Autorenbiografie
Verlagsangaben
関連資料:Rezensiert in: [Rezension von: Freedman, Luba, Classical Myths in Italian Renaissance Painting]
著者紹介:Luba Freedman
CRLB-Bib.:Freedman, Classical Myths, 2011
その他の書誌記述
要約:"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--
記述事項:Includes bibliographical references and index
Hier auch später erschienene, unveränderte Nachdrucke
物理的記述:XVI, XIV, 292 S. Ill. 26 cm
ISBN:1107001196
9781107512955
9781107001190