Wird geladen...
The Learned Eye : Regarding Art, Theory, and the Artist's Reputation
Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His MasterPart III: The Artist's Reputation; 'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession; 'Das We...
Gespeichert in:
| VerfasserIn: | |
|---|---|
| Dokumenttyp: | Online-Ressource Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
: Amsterdam University Press
, 2005
|
| Schriftenreihe: | Rembrandt
|
| Schlagwörter: | |
| Online Zugang: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt46mw0p |
| Bibliogr. Hinweis: | Erscheint auch als:
The learned eye |
| E-Book-Pakete: | JSTOR E-Books in Art, Design and Photography |
| LEADER | 05779cam a22010572c 4500 | ||
|---|---|---|---|
| 001 | 1003607381 | ||
| 003 | DE-627 | ||
| 005 | 20250405182335.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 190301s2005 ne |||||ob 00| ||eng c | ||
| 020 | |a 9789053567135 |c electronic bk. |9 978-90-5356-713-5 | ||
| 020 | |a 9048505380 |c : electronic bk. |9 90-485-0538-0 | ||
| 020 | |a 9053567135 |9 90-5356-713-5 | ||
| 020 | |a 9789048505388 |c : electronic bk. |9 978-90-485-0538-8 | ||
| 024 | 7 | |a 10.2307/j.ctt46mw0p |2 doi | |
| 035 | |a (DE-627)1003607381 | ||
| 035 | |a (DE-576)518273008 | ||
| 035 | |a (DE-599)GBV1003607381 | ||
| 035 | |a (OCoLC)437089611 | ||
| 035 | |a (KFL)prod_GADD_ocn437089611 | ||
| 035 | |a (DE-627-1)04875126X | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rakwb | ||
| 041 | |a eng | ||
| 044 | |c XA-NL | ||
| 050 | 0 | |a N6946 .L43 2005 | |
| 072 | 7 | |a ART015000 |2 bisacsh | |
| 082 | 0 | |a 709 | |
| 084 | |a KUNST |q DE-16 |2 fid | ||
| 084 | |a KUNST |q DE-16 |2 fid | ||
| 084 | |a LH 61040 |q SEPA |2 rvk |0 (DE-625)rvk/94202: | ||
| 084 | |a 21.02 |2 bkl | ||
| 084 | |a 15.63 |2 bkl | ||
| 100 | 1 | |8 1\p |a Doel, Marieke van den |0 (DE-588)140124462 |0 (DE-627)703574787 |0 (DE-576)314692657 |4 aut | |
| 245 | 1 | 4 | |a The Learned Eye |b Regarding Art, Theory, and the Artist's Reputation |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c 2005 | |
| 300 | |a 1 Online-Ressource (229 pages) | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Rembrandt | |
| 520 | |a Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His MasterPart III: The Artist's Reputation; 'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession; 'Das Werk erdacht und cirkulirt'. The Position of Architects at the Court of King Ferdinand I of Bohemia and His Son, Archduke Ferdinand II of Austria; Crossing the Wall of History. Etienne Deléc | ||
| 520 | |a Table of Contents; Introduction; The Learned Eye; Biography of Ernst van de Wetering; Part I: The Work of Art; In the Beginning There Was Red; The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses; Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston; The Portrait of Theodorus Schrevelius; Part II: The Rules of Art; The Contours in the Paintings of the Oranjezaal, Huis ten Bosch; Aelbert Cuyp's Innovative Use of Spatial Devices; Colour Symbolism in Seventeenth-Century Dutch Painting | ||
| 520 | |a Table of Contents; Introduction; The Learned Eye; Biography of Ernst van de Wetering; Part I: The Work of Art; In the Beginning There Was Red; The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses; Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston; The Portrait of Theodorus Schrevelius; Part II: The Rules of Art; The Contours in the Paintings of the Oranjezaal, Huis ten Bosch; Aelbert Cuyp's Innovative Use of Spatial Devices; Colour Symbolism in Seventeenth-Century Dutch Painting | ||
| 600 | 1 | 4 | |a Wetering, Ernst van de <1938-> |
| 648 | 4 | |a 1600 - 1699 | |
| 650 | 0 | |a Artists |z Netherlands |x Social conditions | |
| 650 | 0 | |a Arts |x Philosophy | |
| 650 | 0 | |a Art, Dutch |y 17th century | |
| 650 | 0 | |a Artists | |
| 650 | 0 | |a Arts | |
| 650 | 0 | |a Art, Dutch | |
| 650 | 0 | |a Aesthetics | |
| 650 | 0 | |a Visual perception | |
| 650 | 2 | |a Visual Perception | |
| 650 | 4 | |a ART ; History ; General | |
| 650 | 4 | |a Artists ; Social conditions | |
| 650 | 4 | |a Arts ; Philosophy | |
| 650 | 4 | |a Netherlands | |
| 650 | 4 | |a Art néerlandais - 17e siècle | |
| 650 | 4 | |a Visual perception | |
| 650 | 4 | |a Perception visuelle | |
| 655 | 7 | |a Bibliografie |0 (DE-588)4006432-3 |0 (DE-627)104814519 |0 (DE-576)208865578 |2 gnd-content | |
| 655 | 7 | |a Festschrift |0 (DE-588)4016928-5 |0 (DE-627)104400986 |0 (DE-576)208917802 |2 gnd-content | |
| 689 | 0 | 0 | |d g |0 (DE-588)4042203-3 |0 (DE-627)104400765 |0 (DE-576)209049030 |a Niederlande |2 gnd |
| 689 | 0 | 1 | |d s |0 (DE-588)4114333-4 |0 (DE-627)105822957 |0 (DE-576)209483733 |a Kunst |2 gnd |
| 689 | 0 | 2 | |d s |0 (DE-588)4139911-0 |0 (DE-627)105631884 |0 (DE-576)209698330 |a Gelehrsamkeit |2 gnd |
| 689 | 0 | 3 | |a z |2 gnd |a Geschichte 1600-1700 |
| 689 | 0 | |5 (DE-627) | |
| 689 | 1 | 0 | |d p |0 (DE-588)121976483 |0 (DE-627)081658583 |0 (DE-576)216783542 |a Wetering, Ernst van de |d 1938-2021 |2 gnd |
| 689 | 1 | |5 (DE-627) | |
| 700 | 1 | |a Korevaar, Gerbrand |4 oth | |
| 700 | 1 | |a Van Eck, Natasja |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |t The learned eye |d Amsterdam : Amsterdam University Press, 2005 |h 228 S |w (DE-627)487688708 |w (DE-576)117345245 |z 9053567135 |
| 776 | 0 | 8 | |i Print version |z 9789053567135 |
| 883 | |8 1 |a cgwrk |d 20241001 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | ||
| 912 | |a ZDB-1-JFK | ||
| 935 | |i IMPORT_0628_prod_GADD_01 | ||
| 935 | |i IMPORT_0628_prod_GADD_02 | ||
| 935 | |i IMPORT_0628_prod_GADD_03 | ||
| 936 | r | v | |a LH 61040 |b Ästhetik der Bildenden Kunst und ihre Geschichte |k Kunstgeschichte |k Allgemeines. Allgemeine Kunstgeschichte |k Theorie und Praxis der Bildenden Kunst |k Theorie der Bildenden Kunst |k Ästhetik der Bildenden Kunst und ihre Geschichte |0 (DE-627)1270636383 |0 (DE-625)rvk/94202: |0 (DE-576)200636383 |
| 936 | b | k | |a 21.02 |j Geschichte der Malerei |q SEPA |0 (DE-627)106406698 |
| 936 | b | k | |a 15.63 |j Belgien |j Niederlande |j Luxemburg |x Geschichte |q SEPA |0 (DE-627)181570866 |
| 951 | |a BO | ||
| 990 | |a Niederlande | ||
| 990 | |a Kunst | ||
| 990 | |a Gelehrsamkeit | ||
| 990 | |a Geschichte 1600-1700 | ||
| 990 | |a Wetering, Ernst van de | ||
| 856 | |u http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt46mw0p | ||
| 997 | |a ZDB-1-JFK | ||
| 999 | |a KXP-PPN1003607381 |e 3382225514 | ||
