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Bergson and the art of immanence : painting, photography, film
8. Pasearse: Duration and the Act of Photographing9. Duration and Rhetorical Movement; 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity; Part III Immanence of the Visible; 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry...
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| Other Authors: | |
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| Document Type: | Online Resource Book |
| Language: | English |
| Published: |
Edinburgh
: Edinburgh University Press
, 2013
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| Subjects: | |
| Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.3366/j.ctt9qdrn0 |
| Author Notes: | edited by John Mullarkey and Charlotte de Mille |
| License Package: | JSTOR E-Books in Art, Design and Photography |
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| 245 | 1 | 0 | |a Bergson and the art of immanence |b painting, photography, film |c edited by John Mullarkey and Charlotte de Mille |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c 2013 | |
| 300 | |a 1 Online-Ressource (289 pages) | ||
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a 8. Pasearse: Duration and the Act of Photographing9. Duration and Rhetorical Movement; 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity; Part III Immanence of the Visible; 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry; 12. 'For We Will Have Shown it Nothing': Bergson as Non-Philosopher (of) Art; 13. The Untimeliness of Bergson's Metaphysics: Reading Diffractively; 14. Hyperaesthesia and the Virtual; Afterword: An Art Historical Return to Bergson; Index | ||
| 520 | |a Title page; Copyright; Contents; List of Illustrations; Notes on Contributors; Introduction: Art's Philosophy -- Bergson and Immanence; Part I Bergson, Art, History; 1. Bergson, History and Ontology; 2. Art History, Immanently; 3. Art History, Less Its Conditions of Possibility: Following Bergson's 'Le Possible et le réel'; 4. Matisse, Bergson, Oiticica, etc.; 5. Bergson Before Deleuze: How to Read Informel Painting; 6. Revolutionary Immanence: Bergson Among the Anarchists; Part II Unconditional Practice; 7. The Matter of the Image: Notes on Practice-Philosophy | ||
| 520 | |a Title page; Copyright; Contents; List of Illustrations; Notes on Contributors; Introduction: Art's Philosophy -- Bergson and Immanence; Part I Bergson, Art, History; 1. Bergson, History and Ontology; 2. Art History, Immanently; 3. Art History, Less Its Conditions of Possibility: Following Bergson's 'Le Possible et le réel'; 4. Matisse, Bergson, Oiticica, etc.; 5. Bergson Before Deleuze: How to Read Informel Painting; 6. Revolutionary Immanence: Bergson Among the Anarchists; Part II Unconditional Practice; 7. The Matter of the Image: Notes on Practice-Philosophy | ||
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| 600 | 1 | 0 | |a Bergson, Henri |
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| 650 | 0 | |a Immanence (Philosophy) | |
| 650 | 4 | |a Bergson, Henri | |
| 650 | 4 | |a Immanence (Philosophy) | |
| 650 | 4 | |a PHILOSOPHY ; General | |
| 650 | 4 | |a PHILOSOPHY ; History & Surveys ; Modern | |
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