Bergson and the art of immanence : painting, photography, film
8. Pasearse: Duration and the Act of Photographing9. Duration and Rhetorical Movement; 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity; Part III Immanence of the Visible; 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry...
|Document Type:||Online Resource Book|
: Edinburgh University Press
|Author Notes:||edited by John Mullarkey and Charlotte de Mille|
|License Package:||JSTOR E-Books in Art, Design and Photography|
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