Bergson and the art of immanence : painting, photography, film

8. Pasearse: Duration and the Act of Photographing9. Duration and Rhetorical Movement; 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity; Part III Immanence of the Visible; 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry...

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Bibliographic Details
Other Authors: De Mille, Charlotte (Editor, HerausgeberIn)
Ó Maoilearca, John (Editor, HerausgeberIn)
Document Type: Online Resource Book
Published: Edinburgh : Edinburgh University Press , 2013
Online Access:http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.3366/j.ctt9qdrn0
Author Notes:edited by John Mullarkey and Charlotte de Mille
License Package:JSTOR E-Books in Art, Design and Photography

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