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Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics
Saved in:
| Main Author: | |
|---|---|
| Document Type: | Book |
| Language: | English |
| Published: |
Cambridge, Mass. [u.a.]
: MIT Press
, 2001
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Author Notes: | Marcia Brennan |
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| 100 | 1 | |a Brennan, Marcia |0 (DE-588)133181146 |0 (DE-627)538259884 |0 (DE-576)299675696 |4 aut | |
| 245 | 1 | 0 | |a Painting gender, constructing theory |b the Alfred Stieglitz Circle and American formalist aesthetics |c Marcia Brennan |
| 264 | 1 | |a Cambridge, Mass. [u.a.] |b MIT Press |c 2001 | |
| 300 | |a XI, 377 S. |b Ill. (z.T. farb.) |c 24 cm | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
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| 500 | |a Includes bibliographical references (p. 272-369) and index | ||
| 505 | 8 | 0 | |a Literaturverz. S. [348] - 369 |
| 505 | 8 | 0 | |a Machine generated contents note: Acknowledgments viiiIntroduction 2 -- Part I Embodied Formalism: The Formation of a Discourse -- Chapter 1 20 -- Puritan Repression and the Whitmanic Ideal: -- The Stieglitz Circle and Debates in American -- High Culture, 1916-1929 -- Chapter 2 44 -- Faith, Love, and the Broken Camera: -- Alfred Stieglitz and New York Dada -- Chapter 3 72 -- Alfred Stieglitz and His Critics: -- An Aesthetics of Intimacy -- Part II The Stieglitz Circle's Symbolic Body -- Chapter 4 96 -- Arthur Dove and Georgia O'Keeffe: -- Corporeal Transparency and Strategies of Inclusion -- Chapter 5 136 -- John Marin: -- Framed Landscapes and Embodied Visions -- Chapter 6 156 -- Marsden Hartley and Charles Demuth: -- The Edges of the Circle -- Part III Contests and Counterdiscourses, circa 1930-1950 -- Chapter 7 202 -- Modernism's Masculine Subjects: -- Alfred Stieglitz versus Thomas Hart Benton -- Chapter 8 232 -- The Contest for "the Greatest American -- Painter of the Twentieth Century": -- Alfred Stieglitz and Clement Greenberg. |
| 505 | 8 | 0 | |a Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg. |
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