Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics

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Bibliographic Details
Main Author: Brennan, Marcia (Author)
Document Type: Book
Language:English
Published: Cambridge, Mass. [u.a.] : MIT Press , 2001
Subjects:
Stieglitz, Alfred
Stieglitz, Alfred > 1864-1946 > Aesthetics
USA
Kunst
Geschichte 1916-1950
Freundeskreis
Ästhetik
Kunstkritik
Geschlechterforschung
Online Access:Inhaltsverzeichnis
Inhaltsverzeichnis
Author Notes:Marcia Brennan
Table of Contents:
  • Literaturverz. S. [348] - 369
  • Machine generated contents note: Acknowledgments viiiIntroduction 2
  • Part I Embodied Formalism: The Formation of a Discourse
  • Chapter 1 20
  • Puritan Repression and the Whitmanic Ideal:
  • The Stieglitz Circle and Debates in American
  • High Culture, 1916-1929
  • Chapter 2 44
  • Faith, Love, and the Broken Camera:
  • Alfred Stieglitz and New York Dada
  • Chapter 3 72
  • Alfred Stieglitz and His Critics:
  • An Aesthetics of Intimacy
  • Part II The Stieglitz Circle's Symbolic Body
  • Chapter 4 96
  • Arthur Dove and Georgia O'Keeffe:
  • Corporeal Transparency and Strategies of Inclusion
  • Chapter 5 136
  • John Marin:
  • Framed Landscapes and Embodied Visions
  • Chapter 6 156
  • Marsden Hartley and Charles Demuth:
  • The Edges of the Circle
  • Part III Contests and Counterdiscourses, circa 1930-1950
  • Chapter 7 202
  • Modernism's Masculine Subjects:
  • Alfred Stieglitz versus Thomas Hart Benton
  • Chapter 8 232
  • The Contest for "the Greatest American
  • Painter of the Twentieth Century":
  • Alfred Stieglitz and Clement Greenberg.
  • Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929
  • Faith, love and the broken camera: Alfred Stieglitz and New York Dada
  • Alfred Stieglitz and his critics: an aesthetics of intimacy
  • Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion
  • John Marin: framed landscapes and embodied visions
  • Marsden Hartley and Charles Demuth: the edges of the circle
  • Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton
  • The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.

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