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Dürer’s Enigma
According to Panofsky’s widely-accepted theory, the subject of Albrecht Dürer’s engraving Melencolia § I (1514) was intended as a feminine personification of the liberal art Geometry and the temperament Melancholy. However, we argue that this synthesized personification is a façade. The formulaic...
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| Published in: | Aries 18(2018), 2, Seite 217-257 |
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| Main Author: | |
| Document Type: | Online Resource Article |
| Language: | English |
| Published: |
2018
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| Subjects: | |
| Online Access: | Volltext |
| Related Items: | In:
Aries |
