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Bergson and the art of immanence : painting, photography, film
8. Pasearse: Duration and the Act of Photographing9. Duration and Rhetorical Movement; 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity; Part III Immanence of the Visible; 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry...
Gespeichert in:
| Mitwirkende: | |
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| Dokumenttyp: | Online-Ressource Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
: Edinburgh University Press
, 2013
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| Schlagwörter: | |
| Online Zugang: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.3366/j.ctt9qdrn0 |
| Verantwortlich: | edited by John Mullarkey and Charlotte de Mille |
| E-Book-Pakete: | JSTOR E-Books in Art, Design and Photography |
